Script

Red Bull was not invented in Austria.

Welcome to Marketing Story by Dots Studio. Today we will tell the story of how a Thai tonic got its wings.

In 1975 a duck farmer's son named Chaleo Yoovidhya mixed a thick, sweet tonic and sold it in an amber pharmacy bottle for about ten baht. Truck drivers and factory workers drank it on long shifts. Japan's Lipovitan had ninety percent of the market, so Chaleo gave millions of bottles away until it did not.

Two red gaurs charged under a yellow sun on the label, and the customers nicknamed the brand after them. By 1978 he was shipping to Singapore with the English words Red Bull on the crates, six years before Dietrich Mateschitz signed anything. Mateschitz was only in Thailand because Chaleo's company distributed the toothpaste he marketed.

Millions drank it every day. He was the one who thought it would travel.

Then the slow part. Three years of tests, a 250ml can when every rival filled 330, at double the price. The research came back so badly he called it a disaster: nobody believed the taste, the logo or the name. He shipped anyway, on April Fool's Day, 1987.

Forty years later, the flavour concentrate for every can on earth is still made in Bangkok.

Chaleo made the drink in a year. Finding the market took eleven more. That is usually the harder half.

ElevenLabs v3 (expression tags)

[warm, unhurried, close to the microphone]
Red Bull was NOT invented in Austria.
[brighter, a small smile] Welcome to Marketing Story by Dots Studio. [settling back down] Today we will tell the story of how a Thai tonic got its wings.
[softer, settling in] In nineteen seventy five, a duck farmer's son named Chaleo Yoovidhya mixed a thick, sweet tonic... and sold it in an amber pharmacy bottle for about TEN BAHT. Truck drivers and factory workers drank it on long shifts. [matter of fact] Japan's Lipovitan had NINETY percent of the market... so Chaleo gave millions of bottles away [slight smile] until it did not.
[warm] Two red GAURS charged under a yellow sun on the label... and the customers nicknamed the brand after them. By nineteen seventy eight, he was shipping to Singapore with the English words RED BULL on the crates... [landing it] SIX YEARS before Dietrich Mateschitz signed anything. Mateschitz was only in Thailand because Chaleo's company distributed the toothpaste he marketed.
[a beat] Millions drank it every day. [slower, the turn] He was the ONE who thought it would travel.
[patient] Then the slow part. Three years of tests, a two hundred and fifty millilitre can when every rival filled three hundred and thirty... at DOUBLE the price. The research came back so badly he called it a DISASTER: nobody believed the taste, the logo, or the name. [light] He shipped anyway... on April Fool's Day, nineteen eighty seven.
[opening out, warm] Forty years later... the flavour concentrate for every can on earth... is STILL made in Bangkok.
[a real beat. then quiet, plain, unhurried] Chaleo made the drink in a year. Finding the market took ELEVEN more. [final] That is usually... the harder half.

The voice, measured

<aside> ⏱️

Written for about 86 seconds. Recorded at 123.4 seconds, 114 words per minute, with 19.9 seconds of silence across 25 pauses. We kept the voice for its warmth and re timed the picture to it. To keep every cut under five seconds, the film went from 27 shots to 36. New shots were always a second picture on a line that already existed.

</aside>

The cue sheet

Shot In Out Colour
S1 0.00 4.98 cold blue silver
S2 4.98 8.30 warm gold
S3a 8.30 11.12 honey
S3b 11.12 13.93 honey gold
S4a 13.93 17.66 warm ochre
S4b 17.66 21.38 warm ochre
S5 21.38 24.62 honey gold
S6 24.62 27.31 warm ochre
S7a 27.31 29.88 night amber
S7b 29.88 32.44 night amber
S8 32.44 36.11 cold grey green, first cool frame
S9a 36.11 38.96 warm ochre
S9b 38.96 41.81 warm ochre
S10 41.81 46.04 red on yellow, most saturated
S11 46.04 50.06 night amber
S12a 50.06 53.71 pale sea blue
S12b 53.71 57.36 pale sea blue
S13 57.36 62.33 warm ochre, blown river light
S14 62.33 64.58 dusty ochre
S15 64.58 69.34 dusty ochre, the only frame with both men
S16 69.34 72.00 pale gold
S17 72.00 76.04 warm gold, the turn
S18 76.04 80.50 lamp amber
S19a 80.50 83.70 cool teal
S19b 83.70 86.90 cool teal
S20 86.90 89.74 cold blue silver
S21a 89.74 92.39 cold blue grey, the refusal
S21b 92.39 95.04 cold blue grey
S22 95.04 99.53 cold blue grey
S23a 99.53 102.40 pale gold, first light
S23b 102.40 105.28 pale gold
S24a 105.28 109.58 warm ochre, the empty room
S24b 109.58 113.89 warm ochre
S25 113.89 116.61 warm ochre
S26 116.61 120.44 honey gold
S27 120.44 123.40 honey and silver, the only two hue frame
S28 end card, logo animation built in post

The colour arc

silver → gold → honey → ochre → night amber → GREY GREEN → ochre → RED ON YELLOW → night amber → sea blue → ochre → pale gold → GOLD (the turn) → lamp amber → teal → COLD BLUE GREY (the refusal) → first light → ochre → honey and silver

The refusal from 89.7 to 99.5 seconds is the only cold passage in the film. It is what makes the first light land.

The one thing the grade had to fix